In 1903, a wildlife photographer ventured into a remote Maine lumber camp to capture the image of a woman nursing an orphaned bear cub alongside her newborn daughter. This true story inspired Tammy Armstrong’s debut novel, Pearly Everlasting, which imagines the life of that girl and that bear, suckled at the same breast and raised as brother and sister in a cabin set deep in the pines.
Pearly Everlasting’s mother is a healer, and her father is a cook in a logging camp in the woods of New Brunswick. Her father finds an orphaned bear cub during “false spring,” brings it home, and raises “Bruno” as the newborn Pearly’s brother. It’s hard to say whether Pearly is part bear, or Bruno is part human; either way, they share a powerful connection. Girl and bear ramble through the forest on endless adventures. But when the camp gets a cruel new supervisor, Heeley Swicker, their innocent life is forced to change. Swicker turns up dead, and Bruno is blamed and sold by Swicker’s nephew to animal traders. Enlisting the help of her friends Songcatcher and Ebony, Pearly sets out on a quest to the “Outside” to rescue him. Afterwards, she and Bruno must find their way homeward alone through ice and snow, meeting good people, bad people and one cranky and dangerous wild bear along the way.
Told in a lyrical voice (it’s no surprise to learn that Armstrong is a poet), Pearly Everlasting is at times hauntingly beautiful, at times sad, yet also laugh-out-loud funny in other moments. There’s a dose of fairy-tale magic in the woodland setting: Old Jack, a spirit from the loggers’ stories, is always lurking in the shadows and threatening Pearly’s world.
This tender tale of hope and the redeeming nature of human kindness is also about coming home, literally and figuratively. At the end of her journey, Pearly remembers all of those who helped her along her way, and writes to them: “I tell them how the trees have grown so big up here on Greenlaw Mountain the spring light lives inside their boughs and rarely comes out to warm our yard. But by summer, the light climbs down and spills itself wide—a carpet Bruno naps in longer each day. This is how we take our days. This is how we make them stay.”